A major disappointment to me was the cancellation of a workshop with Dan Thompson at the Institute. It was to be on the subject of painting the portrait from observation. I took an earlier portrait class with Dan Thompson and I wrote about it in this blog. (here) So instead of advancing my practice of portraiture, I was dealing with a broken furnace that week. It was a cold week, too. I may have mentioned being too cold to sit very long in my computer room. Lots of stuff got wait-listed that week, a fact whose relevance is hinted at below. (Ending a sentence with two prepositions! Exciting times!)
Our weather has shown dramatic improvement lately. For instance, I haven’t been wearing a coat. What have I been doing with my time? Not painting. Paperwork. Meetings. Reports. Nothing you would want to hear about assuming I were free to tell. I found only two recent paintings that you have not yet seen, and one of them I never intended anyone to see. I dislike it for being too dark and sultry. But in my desperation I have reconsidered, and hope it looks no worse than work that I have seen better artists display proudly. To some, dark and sultry is a virtue.
No, it’s no good. I still don’t like it. Ironically, this is the same model whose face I tormented in the Dan Thompson workshop mentioned above.
My other painting I like quite a lot, just not sure why. It’s accurate, it has good lights and darks I think, proportions good, skin tones good, composition good, etc. But what’s it about? Can I show it? What the heck do I title it? As you can see, for now the title refers to the light source.
The painterly quality may be what I like most about this painting.
The overhead light source is thanks to Jack, our newest member. Jack retired from a career as a filmmaker and photographer, so he has some great equipment that he shares with us. If I recall correctly, the overhead light is composed of 400 watts of illumination, covered by a diffuser so it doesn’t blind the artists
Well, tomorrow is another day, isn’t it? Scarlett was right. But literally, tomorrow is Tuesday, another life group day, and I might, I just might do something worthwhile. It keeps me going back.
Aline Lotter is currently exhibiting:
at the Hatfield Gallery and the East Colony Fine Art Gallery in Manchester (both are in Langer Place, 55 S. Commercial St., Manchester, NH); at the Gallery at 100 Market Street in Portsmouth; at the Bartlett Inn and Bernerhof Inn in Bartlett; at the Red Jacket Inn in North Conway; at the law offices of Mesmer and Deleault at 41 Brook St in Manchester; at the Manchester office of Congresswoman Carol Shea Porter; and at her studio by appointment (email: firstname.lastname@example.org).
You may also view paintings with prices and order prints at my Fine Art America page. If the painting you are interested in is not there, or if you prefer to bypass that experience, you may contact me using this feedback form.
<a href=”http://fineartamerica.com/art/all/nude/canvas+prints” style=”font: 10pt arial; text-decoration: underline;”>nude canvas prints</a>