I went a whole week without painting! That made me feel disconnected somehow, as if I had landed on some strange, new level of existence. But I got other stuff done, stuff that needed to get done. And there was Thanksgiving. No problem there–went to my son’s house to get stuffed and was not allowed to bring even one dish. I had to “sit” the gallery for East Colony the day before Thanksgiving, during which I read parts of some art books. I never get around to finishing books anymore. And I copied some Van Gogh drawings out of one of the books. On Friday I went to a Boston Symphony Orchestra concert–Brahms and Beethoven, an unbeatably enjoyable combo, enjoyed that day by probably the oldest audience I have ever seen there for the Friday matinee–younger folks were apparently out Black-Friday shopping. Saturday, East Colony held its annual holiday gift sale, for which I contributed 6×6 panels, and someone finally bought “Toughie”. (When I created Toughie for the Womens Caucus for Art show a few years ago, I thought Toughie would be gobbled up by the first person to lay eyes on it.) Forgot who Toughie is? Here’s a reminder:
But all week I was thinking about finishing the painting of Margaret that I started last week (link here), and yesterday morning I got to do that. Yesterday morning, the painting already looked so very close to being done that my fellow artists asked me what I was going to do with the rest of 3 hours. “Bask”, I replied. But as it turned out, I had no extra time for basking. I worked slowly and carefully and painstakingly to reach this conclusion:
The background needs cleaning up, especially around the head, where my habit of correcting the drawing by painting the negative space is revealed. After working on this painting, I understand too well why my slap-dash works had to be called “studies”. Should I strive to become a more polished painter, or may I return to striving to become looser? Can I do both? Talk about being of two minds! I am torn in two.
Aline Lotter is currently exhibiting:
at the Hatfield Gallery and the East Colony Fine Art Gallery in Manchester (both are in Langer Place, 55 S. Commercial St., Manchester, NH); at the Bartlett Inn in Bartlett; at the Red Jacket Inn in North Conway; at the law offices of Mesmer and Deleault at 41 Brook St in Manchester; in the Community Gallery at the Currier Gallery in Manchester; at the Manchester office of Congresswoman Carol Shea Porter; at the Studio 550 Art Center in Manchester NH, as part of the annual 6×6 show of the Womens Caucus for Art; and at her studio by appointment (email: email@example.com).