Two Sittings

Last week our regular figure study group met as usual, but at the end of our session, we all agreed to try to duplicate the post at the next session.  I had been happy enough with what I had after one session, except for one problem hand, so I planned today to fix the hand and start on a portrait, yet another of Becky.  Instead, I spent almost the entire second session “dithering” (some would say) with what I had.  I’m wondering if I have overworked and ruined what had been a decent painting.  Fortunately, I photographed the earlier version so we may compare the two:

Small work in progress

Small work in progress

 

After second sitting

After second sitting

I am inclined to favor the second version now that I see them together.  Certainly a lot of the elements that I worked on called for help.  The model stand has a life, yet stays back where it belongs.  Her right hand looks more like a hand.  The face is more delicately portrayed.  The dark background works better to show off her skin tones.  Does anyone have a strong opinion either way?  And what do you think of the lavender shadows?  It’s what I saw today, and I have never seen them before.  My eyes may be changing, or perhaps the way we set up the spotlights did it.  I had trouble seeing what I was doing until I brought a spotlight to aim at my painting and my palette, but then I had the bright light in my eyes, and my gaze was shifting between the model  and the painting.  Terrible conditions, really, so the lavender may have been a trick of the light.  My brain misperceived.

Aline Lotter is currently exhibiting:

at the Hatfield Gallery and the East Colony Fine Art Gallery in Manchester (both are in Langer Place, 55 S. Commercial St., Manchester, NH); at the Bartlett Inn and Bernerhof Inn in Bartlett; at the Red Jacket Inn in North Conway; at the law offices of Mesmer and Deleault at 41 Brook St in Manchester; at the Manchester office of Congresswoman Carol Shea Porter; in the lower level of the Bedford Public Library, Bedford, NH; and at her studio by appointment (email: alotter@mac.com).

You may also view paintings with prices and order prints at my Fine Art America page. If the painting you are interested in is not there, or if you prefer to bypass that experience, you may contact me using the private feedback form below. If you want to add a public comment to this blog, go to the bottom of this page where it says “Leave a Reply”, and enter your comment in that box. I love to get public comments, so don’t be shy!

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5 responses to “Two Sittings

  1. Hi Aline,
    It would so much be better to see the artwork in person but from my quick observation, without distressing you….the portrait is much more finished than the rest of the figure. Remember how much time you spent on the face? Well, the whole body should be worked the same OR vice-versa and I tend to the vice-versa. More simplification. Try to paint at one sitting and not to take it home to work on…you are painting the figure Not your interpretation of what you saw. Paint what you see. With the size of the painting in mind, work the entire piece and Not one part at the time. I think you were tired. Nice work! Best, Janice 🙂

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  2. Hello Aline! Comparing the two is difficult unless I make them both small, so I probably missed quite a bit. From that ‘distance’ I see the first one as having a warm glow which cooled off in the second one. Perhaps because of the purple shadows? But a cool is ok! Cheers, Philippa

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