Before I get caught up in narratives of what I’ve been doing in the recent past, allow me to tout the upcoming event, “Art in the Park”, this Saturday, September 20, at Veterans Park in Manchester NH (rain date is the next day, Sunday, September 21). This is an annual art show from the artists of the Manchester Artists Association. We put up tents; we put up racks; we cover said racks with artworks. We wait. . . for people to come by and ooh and aah and maybe buy a piece or two. Many cards and prints will also be on sale. I am sharing my tent and racks this event with Linda Feinberg, who writes poetry to go along with her cards and other artworks. This year The MAA is also sponsoring a children’s art show in conjunction with our own, in order to support the value of art making in the schools and to encourage potential artists to carry on. If at all possible for you to visit us at this event, I beg you to do so. It’s important for not just me, but for all the constituencies involved–artists in Manchester, artists in New Hampshire, school children, and the general public– who need more art in their lives! To encourage high attendance, I am going to give away a piece of art–probably a drawing–via something like a raffle (not really a raffle because no payment will be required). To qualify for the gift, you might have to answer a question about the artwork I am about to post in this blog. So pay attention now!
Mostly what I have been doing this past week is tweaking the paintings of the past month, hopefully for the good, but I have also been drawing at my life groups. The Monday life group has a new model, Robbie, whose face I found to be more interesting than his body, and I tried out a new medium: pastel pencils.
Our Saturday group got together for our first meeting of the Fall, for our standard short poses followed by a few longer poses (but not long poses by the standards of Monday’s group). I used charcoal.
Finally, here is your first view of “Nap, Interrupted”. I started it a month ago, then had to leave it alone while I pursued my landscape paintings. Yesterday I tweaked it a little, but not so much as to make it worth another round of photos.
This painting of my smallest cat, Grace, who, by the way, has an earlier post entirely devoted to her (see it here), was prompted by (1) the sale of my other gigantic cat painting called “Fur” (hmmm, I thought, cats sell!), (2) a great photo of Grace I had been saving to paint, and (3) a 2 by 4 foot canvas (dimensions that match the photo) just lying around. Also in my mind was something Paul Ingbretson said, to the effect that you should paint every painting with the hope that your painting will be the one to first draw the eye of anyone who enters in an exhibit space. I am certainly doing the hoping here. Whether the hope is ever realized . . . , well we can only hope.
Aline Lotter is currently exhibiting:
at the Hatfield Gallery and the East Colony Fine Art Gallery in Manchester (both are in Langer Place, 55 S. Commercial St., Manchester, NH); at the Bartlett Inn in Bartlett and the Bernerhof Inn in Glen; at the Red Jacket Inn in North Conway; at the law offices of Mesmer and Deleault at 41 Brook St in Manchester; at the Manchester office of Congresswoman Carol Shea Porter; at the Norris Cotton Cancer Center in Manchester (but access is limited to patients and health care workers); and at her studio by appointment (email: email@example.com).
You may also view paintings with prices and order prints at my Fine Art America page. If the painting you are interested in is not there, or if you prefer to bypass that experience, you may contact me using the private feedback form below. If you want to add a public comment to this blog, go to the bottom of this page where it says “Leave a Reply”, and enter your comment in that box. I love to get public comments, so don’t be shy!
Love ‘Nap interrupted’, 5 minute pose and first male portrait. ‘Nap’ has a wonderful glow. Hope you can keep it. (repeating
comment as I used the other comment space first).