6 inches by 6 inches has recently become a popular size for two-dimensional art pieces because they are affordable and are highly collectible. But for the past ten years, every year, the New Hampshire chapter of the Women’s Caucus for Art has been organizing a member exhibit consisting only of 6×6 plaques prepared specifically for that purpose, and for that year. The price for each plaque is $66. Every media imaginable is represented. The plaques can even be used to create 3-D artworks as long as they can still be hung vertically.
My Lotus Studies series of four were created for the WCA event in 2009, and when none of them were sold, I combined them into this piece:
As this unit, Lotus Studies has been exhibited three times–once at the 2010 WCA “Flowers Interpreted” exhibit (another annual event), then at the Gallery at 100 Market Street in Portsmouth, and finally this spring at the Manchester Artists Association Gallery, where it won the Best in Show award. Though much admired in all these locations, it is unaccountably still available for purchase.
For this year’s 6×6 exhibit, I have decided to feature critters. I led off my blog (up above) with a half-finished study of that most endearing of critters, a sleeping cat. I’m going to call it “At Home”. Ironically, my model is Sundance, a rough, tough rescued cat who ultimately chose to rough it in the neighborhood. He relies on other suckers in the neighborhood to feed him regularly and suns himself on my deck occasionally. So although he looks really “at home” in this painting, he is dreaming anarchy (on my bed, by the way).
I have two other of my critter plaques started:
I need help with the Snowy Egret. There is a lot of empty space on the left of the plaque, which I intend to fill with written words. Poetic words. I am not a reader of poetry, so I don’t have any useful couplets filed away in my brain, but maybe one of my readers does.
This one I propose to title “Red Breasted Plover”. There is of course no such thing as a red breasted plover (this one is, I think, a black breasted plover in winter plumage). The red breast here is a reflection of the red canopy. Is that obvious enough to explain the title? Or will people think “red breasted plover” is a real species?
If you have been with me for a while, you might remember the Egret and the Plover from my trip to Florida in 2010, the year I deployed the zoom lens to such good effect. If not, you can see them here. Nineteen months later I finally got around to painting these birds!
The WCA 6×6 exhibit this tenth anniversary year will include the 6×6’s from prior years, so I guess my lotuses get out and about for the fifth time. The place of the exhibit will be in Nashua, and the length of the exhibit will be only 2, perhaps 3, days in November. A short, almost “pop up” type exhibit may generate more concentrated interest, and exhibit spaces that we couldn’t consider for a month-long exhibit become feasible. I will post more information about the exhibit when the date draws near.
Since this year we are including past works (retrospective), I will probably offer two that I recently painted on 2010 plaques, covering up what I did last year. (I hated what I painted on last year’s plaques so I didn’t submit them to the exhibit. Lack of inspiration results in worthless artwork.) You may remember these recent portraits from a previous blog entry:
A Blond Akita A Snaggle-tooth Cat
For more about the cat, search “Grace”. I adopted her last year.
I was going to post some pictures of drawings from our Saturday Life Group, but I think this is enough for now. Next week I am sure to have lots to talk about, because I will be attending a workshop with Stan Moeller, the guy who opened up the door to landscape painting for me back in the Fall of 2005. The subject of this workshop is near and dear to my heart:–how to paint people into your plein air landscapes. I have been practicing that very thing in anticipation of this workshop, and now I will learn the real scoop. . . . fingers crossed, that there is a real scoop to be had!