
Frontispiece
I should have posted as soon as I got the pictures uploaded, but I wanted to expound on the process a little. Unfortunately, life, or more accurately, death, got in the way. Not a member of my family, rather the man who rented the room upstairs from me. I had to find the body, which was an unsettling experience. He will be missed around here for sure.
Meanwhile, my show is up. My colleague, Larry Donovan, and I had to agree on the arrangement on our shared wall, the wall that you see as you walk in the door. That is the photo I called “Frontispiece”. You can tell which are mine.
The longest wall is next to the entry, and I managed to hang 13 of my paintings on it, allowing Larry the remaining three, smaller walls. I had prepped 21 paintings with about five that I considered “must see”, but one of them didn’t make the cut. Freckles, my cat portrait, just didn’t look like it belonged with all those nudes and faces. In the end, what looked best on the wall determined which paintings won a place on the wall.
One of my new jobs for East Colony, which as a collaborative does require each member to take charge of one or more tasks needed to run a gallery, is as the keeper of the customer database. So as that person, I had to print out our postcard labels; then as the Featured Artist I applied half of the labels to postcards (Larry did the other half), bought my postcard stamps and applied those to my postcards, and put them in the mail, all of which I accomplished Tuesday. Now all I have to do get ready for the day itself: bring in a flower arrangement (one of the other artists volunteered to bring another one in), make sure I have enough wine at the ready (Larry’s goddaughter, a baker, is preparing eating treasures), figure out what to wear, and get there early enough to set up. I think I can handle it. Whew!
Next week my blog will include the half-done paintings from a workshop I have been taking with Deirdre Riley and possibly a plein air painting from Saturday, but the forecast is rain, so no promises.
Aline Lotter is currently exhibiting:
at the Hatfield Gallery and the East Colony Fine Art Gallery in Manchester (both are in Langer Place, 55 S. Commercial St., Manchester, NH); at the Bartlett Inn and Bernerhof Inn in Bartlett; at the Red Jacket Inn in North Conway; at the law offices of Mesmer and Deleault at 41 Brook St in Manchester; at the Manchester office of Congresswoman Carol Shea Porter; in the lower level of the Bedford Public Library, Bedford, NH; and at her studio by appointment (email: alotter@mac.com).
You may also view paintings with prices and order prints at my Fine Art America page. If the painting you are interested in is not there, or if you prefer to bypass that experience, you may contact me using the private feedback form below. If you want to add a public comment to this blog, go to the bottom of this page where it says “Leave a Reply”, and enter your comment in that box. I love to get public comments, so don’t be shy!
Hello Aline, The relief and excitement you must feel! Everything looks so good on the screen but am looking forward to finally seeing your artwork in life. When I looked at the hanging a little while ago it made me think of Manet. Are you familiar with Edouard Manet? People sometimes find so much joy in Monet that they forget Manet. Both were French painters and I believe, knew each other after their careers were on their way.
Well anyway, Manet painted an absolutely scandolous nude around 1850ish witch he titled , “Olympia” If you are not familiar, please look the painting up. One of Manet’s portraits he painted over 13 times before he was satisfied! Dedication and perseverance. You are doing it and it looks great from here. Thanks for your sharing! Janice
LikeLike
Of course I’m an admirer of Manet–since I first learned of him yea these many decades ago. And of his iconic painting Olympia. Hard for me to understand why it was so scandalous, but same goes for Sargent’s Madame X. Comparing my work to Olympia is a great compliment. Thank you.
Sent from my iPad, Aline Lotter http://www.PaintingsbyAline.com http://www.EastColony.com
>
LikeLike
It is good to see your work in a cluster Aline. You have lots of variety in your poses and compositions. It makes a dynamic group! Sorry I can’t see it in person, but thanks for the look in. All the best for the month! Philippa
LikeLike
The reception was well-attended, but not too surprisingly, the nudes were not jumping off the walls and into the arms of collectors. Sigh!
LikeLike