3 drawings and a painting

I confess–I haven’t done much art in the past month, since my return from Florida.  I might be suffering a little bit of burnout.  Or discouragement:  I received yet another rejection from the Oil Painters of America.  Will I ever paint a picture good enough to win OPA’s seal of approval?  If I live long enough, and then only maybe.  Perhaps I should switch to painting still lifes.  I met an artist older than I who entered the field later than I, taught himself from materials found on the internet, and concentrates on paintings of one kind of object in still life paintings.  Not a beautiful object per se, but so lovingly and beautifully rendered by this artist that he wins prizes, and gets into OPA exhibits.  I long ago resolved to stick to the one medium so as not to spread myself too thin, but perhaps I should also have chosen to stick to one, still, subject matter. I’ve always had a serious tendency to bite off more than I could chew.

Then there was the weather:  My answer to the cold and snowy conditions was to favor drawing to painting–lugging around the oil paints and easel is that much greater a burden when you are slipping on ice or slogging through snowdrifts.  In a related story, not at all helping to get me out of this funk, was the loss of heat for a week, last week.  Oh, the irony!  I had an automatic generator installed after the freak October blizzard shut everything down in 2011, yet lost heat earlier this year due to an electrical problem.  This second loss of heat was due to a malfunction in the furnace, but we screwed around for days trying to solve the issue without going to the pro.  Lesson learned.  Go to the pro immediately, damn the expense.

On a more upbeat note, recently I was in the news!  In a good way.  The Bernerhof exhibit got some publicity, and the reporter used the material that I had written up for my contributions very carefully and accurately.  Stellar job!  Here is a link to the article.   Bernerhof article  The stuff about me appears on the third page.  I’m confident there will never be a better article written about my painting.

Between the Tuesday Life Group, the Friday Life Group and the Saturday Life Group, I did get in some art making.   I have picked out my favorites over the last month to show you.  I believe, despite the judgment of the odious OPA, they are, you know, kind of, like, OK.

Margaret in B&W

Margaret in B&W

Dennis, Shirtless

Dennis, Shirtless

I managed to rein in all urges to polish his face, humming a mantra in my head “Carolyn Anderson”.  (She who can suggest all with a single stroke.)

Georgia, Reclining

Georgia, Reclining

Shelley's Back

Shelley’s Back

On the last two, because they presented a simplified view of the figure (no breasts!), I was able to spend time on representing the quality of the flesh and drapes more accurately.  Each of those two poses lasted about 50 minutes.  In 50 minutes,  you are lucky to just get the drawing close to accurate.  In hindsight, I particularly appreciate how I rendered that draped pillow under Georgia’s head, and particularly regret leaving that clump of hair looking so stiff.

Aline Lotter is currently exhibiting:

at the Hatfield Gallery and the East Colony Fine Art Gallery in Manchester (both are in Langer Place, 55 S. Commercial St., Manchester, NH);  at the Gallery at 100 Market Street in Portsmouth;  at the Bartlett Inn and Bernerhof Inn in Bartlett; at the Red Jacket Inn in North Conway;  at the law offices of Mesmer and Deleault at 41 Brook St in Manchester; at the Manchester office of Congresswoman Carol Shea Porter; and at her studio by appointment (email: alotter@mac.com).

You may also view paintings with prices and order prints at my Fine Art America page.  If the painting you are interested in is not there, or if you prefer to bypass that experience, you may contact me using this feedback form.

The Heck with Nudes!

Who would’ve thunk it?  We got bored with nudes!  So last Tuesday, we asked our model to keep his clothes on, and he was very happy to do so, being very new to the experience of modeling in the buff.  We all had a really good time, and we all produced pieces that we are proud of.  So I decided it was time for another sharing of my blog with my fellow artists.

Nancy C's

Nancy C’s

Nancy Crowley works most often in charcoal, and most often will do the whole figure.  We were surprised to see she was focusing so much on the head.  I love the blocking of light and shadow in this one.



Jan Wittmer joined us very recently and has become a regular, but I can’t say I know what she usually does.   I thought this was brilliant though.  I learned later that this was her second take on this pose, which may account for the fact that it is not overworked.

Nancy H's

Nancy H’s

Nancy Healy is a pastelist, and probably the one of us with the most experience being an artist.  She always does masterful work.  You can tell she is standing at her easel.

My own

My own

This is the photo that I took with my phone, so I am not giving my image any advantage over the others.  Actually, it is at a disadvantage, being the only one in oils and therefore the only one with light bouncing off the globs of oil paint.  Ah, well.  You can tell I was sitting at my easel.


I had two event postcards to get out before this week, and got around to neither of them.  Coming up on Friday of this week (September 20) is the reception at the Boston Arnold Arboretum, 125 Arborway, of the Jamaica Plain Open Studio exhibition of “Artists in the Arboretum”.  The reception is in the Visitors Center and starts at 6 pm and ends at 8.  I will be there, but cannot promise to stay until 8 unless the food and company is particularly good.  The exhibit will continue through October 13, and you should confirm viewing times by calling 617-384-5209.

The second one is a “Call for Collectors and Art Enthusiasts”:  Blackstone Valley Plein Air Competition.  There will be a reception and an auction on Sunday, September 29 at 6 p.m.  The judge for the competition (known as a “juror” in art parlance) is the well known Cape Ann artist, Charles Movalli.  The competing artists are outstanding, and I guess I just feel grateful to be included.  Bev Belanger, of East Colony Fine Art Gallery, is also participating.  I should be scared to death, but I’m too old to get worked up over such things.  I think.  It would be awfully nice to see some familiar faces or names.  The address for the reception and auction:  Alternatives’ Whitin Mill, 50 Douglas Road, Whitinsville, Massachusetts.

Aline Lotter is currently exhibiting:

at the Hatfield Gallery and the East Colony Fine Art Gallery in Manchester (both are in Langer Place, 55 S. Commercial St., Manchester, NH);  at the Bartlett Inn in Bartlett; at the Red Jacket Inn in North Conway;  at Stella Blu, an American Tapas restaurant in Nashua; at the law offices of Mesmer and Deleault at 41 Brook St in Manchester;  the East End Art Gallery in Riverhead, Long Island; at the Manchester office of Congresswoman Carol Shea Porter;  at the Boston Arboretum Visitor Center, 25 Arborway, Boston; and at her studio by appointment.